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State of the Art: Bland on Bland

There are two things to be said about this new Stones album before closing time: one is that they are still perfectly in tune with the times (a.k.a., sometimes, trendies) and the other is that the heat's off, because it's all over, they really don't matter anymore or stand for anything, which is certainly lucky for both them and us.

July 1, 1976
Lester Bangs

THE ROLLING STONES Black & Blue (Rolling Stone)

There are two things to be said about this new Stones album before closing time: one is that they are still perfectly in tune with the times (a.k.a., sometimes, trendies) and the other is that the heat's off, because it's all over, they really don't matter anymore or stand for anything, which is certainly lucky for both them and us. 1 mean, it was a heavy weight to carry for all concerned. This is the first meaningless Rolling Stones album, and thank god. No rationalizations — they can now go out there and compete with Aerosmith, or more precisely, since just like the last two before it this album's strongest moments are Jagger singing ballads, the "adult pop" market. Barry Manilow, even.

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