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Christgau Consumer Guide

JAMES BROWN: “Bring It On” (Augusta Sound):: The fast side is honorable and dispensable—great title riff plus filler, nothing anyone who owns some early-’70s JB is likely to need or even want, though neophytes will dance to it now. The slow side comprises the three strongest covers Brown’s released since he stuck a classic “Kansas City” onto Everybody's Doin’ The Hustle in 1975.

January 1, 1984
ROBERT CHRISTGAU

Christgau Consumer Guide

BY

ROBERT CHRISTGAU

JAMES BROWN: “Bring It On” (Augusta Sound):: The fast side is honorable and dispensable—great title riff plus filler, nothing anyone who owns some early-’70s JB is likely to need or even want, though neophytes will dance to it now. The slow side comprises the three strongest covers Brown’s released since he stuck a classic “Kansas City” onto Everybody's Doin’ The Hustle in 1975. He still approaches high notes with the caution of someone who’s hoarse the way he’s black and proud, but he’s emoting like he wants you to believe “Tennessee Waltz” and “For Your Precious Love,” and in between comes “The Right Time,” which isn’t really slow at all and features a Brownette who approaches any kind of note as if she owns it. Time: 28:45. List $5.98 B +

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